Archives For spectacles


For more than 20 years the South by Southwest (SXSW) Interactive Festival has catalyzed creativity, technology and innovation for thousands of global attendees each March in Austin, Texas.

SXSW was the birthplace of emerging user behaviors like the digital backchannel (Twitter), geolocation wayfinding (Foursquare, now Swarm), group chat (Beluga, now Messenger) and social streaming (Meerkat, now Facebook Live). I’ve attended 11 years, presented four times, and now serve on the SXSW Advisory Board, helping develop programming that ensures our thousands of attendees get an experience that leads up to the conference’s legacy.

Last year, space150 hosted a panel on Deep Web and Dark Social (CBS News coverage of our panel), focusing on the changing habits of users sharing more 1:1 and using chat apps instead of public social networks. A year later, that POV proved to be extremely fortuitious, and “dark social was mentioned in any panel that covered social media in 2017.

This year space150 was again excited to produce a panel focusing on emerging consumer behaviors and technology. This one covered the evolution of consumer engagement through emerging consumer tech products, namely Snap Spectacles.

We highlighted our case study in using two of the first pairs to: 1) introduce Spectacles to pro sports for the first time with the Minnesota Wild, and 2) partner with Nike to bring POV trick shot footage through Spectacles to the NBA All-Star game, and more.

Our Chief Innovation Officer, Marc Jensen, and I also attended keynotes and sessions, explored brand activations, and participated in VIP preview events throughout the week.

We have prepared a full presentation on takeaways from the event — specifically covering the future of VR/AR/360, artificial intelligence, innovation labs, and the future of mobile behavior.

If you’re interested in seeing our presentation, hit me up!

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mn-wild-and-spectacles

(cross-posted from the space150 blog)

Snap, Inc. debuted their new Spectacles in November 2016 and space150, a full-service digital agency with offices across the country, was one of the first agencies to snag a pair.

While we shared our thoughts with the industry (Adweek, Digiday, Adweek), we saw an opportunity to bring their unique perspective to partners and clients — by sharing the first-ever Spectacles story in professional sports.

About Spectacles

Spectacles give Snapchat users an easy, real-time way to record videos that get sent right back into the app. They benefit the user by allowing you to capture video without having to take your phone out of your pocket, open Snapchat, etc.

Spectacles also let you capture video without removing you from what you’re doing. Their first-person perspective also makes these videos unique, especially compared to other videos on social networks today.

Here’s a video we shot at our Venice office: 

Snap Spectacles are hands free 🙌 Follow us for the full experience on Snap @space150

A post shared by space150 (@space150) on

Capturing video on Spectacles is fairly easy: press a button above the top of the left frame and the camera captures a 10 second clip, tap it again and another 10 seconds is recorded – up to 30 seconds per clip. Lights illuminate to show those around you that you’re recording. The Spectacles wirelessly pair to either Android or iPhone through your Snapchat account.

The video can be either standard definition or high definition, though you have to convert the file to HD within the app. Also, an interesting part of the new Spectacles is that they are shot square at 1080×1080, but when displayed they’re circular (see diagram below). This means that users can rotate their phone and see more of the image.

Here’s a GIF that illustrates how this works: 

//giphy.com/embed/l2JhBBlgs3BfQDfEI

Though they’re filled with electronics, the frames are one-size-fits-all and made from plastic. The case they come in – a yellow, foam-padded triangular prism – doubles as a charging dock. The case will hold an additional four charges.

The glasses can (conservatively) do about 40-50 10-second videos before they need another charge, and with light use they would last all day. Also, keep in mind, as the glasses are drawing on Bluetooth, phone battery will also be an issue – and something to keep an eye on.

Spectacles In The (MN) Wild

wild_spectacles_portrait_2
space150 approached the Minnesota Wild to be the first organization in professional sports to use the innovative new first-person camera glasses.

Our challenge was to bring this new tech to life within the bounds of an established social media voice and content strategy, while doing something worthy of the first-person perspective. While GoPro and others have made first-person video approachable, the glasses structure and technicalities of capturing the shot made it difficult to plan and deliver the best story.

To navigate both the organization’s social strategy and the limitations of the glasses, we storyboarded the Wild’s first Spectacles story within three segments: 1) Pre-game, 2) Game, and 3) Post-Game.

//giphy.com/embed/3oriNVAJ1asydoH87C

Within each segment, we had many shots that we wanted to capture, knowing that many may not come to life or may not fit the team’s social strategy or the limitations of showing game play, owned by the NHL. This structure allowed us to have a cohesive story while being flexible.

We brought a production/videographer, social strategist and design director to film and capture the story, which was a healthy mix of technical and design expertise. A full day of shooting with the camera provided a 2:56 minute story. In the future, this kind of storytelling could be accomplished by one person — assuming they’ve been fully trained and are experienced in POV video production.

Here are the highlights from the first-ever pro sports team Snap Story we helped bring to life: 

Results

This effort was a massive success — from the Snap Story completion metrics to the earned and social media buzz to the overall lessons learned.

  • The full day’s Snap Story saw a 65% completion rate, a 7.1x increase over the previous day’s Snap Story.
  • The first portion of the snap story was the practice story and saw a 88% completion rate prior to the game starting.
  • The spectacles-only story saw 7.5x more completed views over the previous day.
    • Day Before Full Day story: 1,300 / 16,200 = 8%
    • Morning Completion Rate: 14,900/ 16,900 = 88%
    • Game Completion Rate: 11,000 / 13,100 = 83%
    • Full Day Story: 11,000 / 16,900 = 65%

Sports Illustrated wrote a feature story about the activation, Minnesota Wild become first pro sports team to use Snapchat Spectacles:

“In the midst of the Snapchat Spectacles craze, the Minnesota Wild became the first NHL team to debut Snap Inc.’s $129 mustard-colored sunglasses and give fans a behind-the-scenes view through a unique lens. The Wild partnered with advertising agency space150 to bring first-person social sharing to life…

Expect the Spectacles to be the trendiest technology product being utilized by sports teams during the first few months of the New Year.”

Added Greg Swan, VP of brand innovation at space150, in a statement: “We were thrilled to partner with the Minnesota Wild to bring the Spectacles perspective to hockey fans tonight—what appears to be the first time a pro sports team has tested these out.”

CBS Morning News picked up this story, sharing it with 97 local TV markets…

And there was also positive coverage from MashableSt. Paul Pioneer Press, Geekwire, SportTechie, Go.MN, some global sports outlets, and more.

Key Learnings and Insights

FIVE BEST PRACTICES:

  1. Show Your Hands: but first, ensure it’s a first-person POV story worth telling
  2. Shoot Order is Post Order: plan ahead with your shot list
  3. Have Patience: files take time to download – especially in HD
  4. Charge Charge Charge: they average 70-80 snaps vs the stated 100, so keep the glasses and case charged
  5. Watch Your Mouth: the mic picks up everything you say, and most things around you

Use your hands! The best selling part of Spectacles is the hands-free, first-person POV. And your viewers want to see your hands doing things.

The files take time to download, especially saving to HD, and social teams should be sure to save files as they go within the Snapchat app. As stated above, the stated battery life is 100 10-second videos. However, we found that this number is closer to half that, so be sure to keep the Spectacles on their charging case when they’re not in use.

In terms of actually shooting video, be aware of your head movements and things like hair that could get in the way of your shot. In addition, the microphone is very sensitive, so things like chuckling, breathing and laughing will all be picked up. Be intentional about your head movement, but note that is very obvious when the recorder slows movements down. And the shot angle is wider than you would expect, so be sure to clear anything you don’t want in the shot from your periphery.

One of the most important take-aways is that once the button is clicked, Spectacles are recording and those stories cannot be edited. We recommend taking 2-4 prep shots before starting your story.

Remember: shoot order is the same as post order – you cannot change the order of snaps in your story. Determine the best shots and their order before starting. We used a simple word document to track and optimize the best shots as we went through the shoot.

WHEN ARE SPECTACLES A GOOD IDEA? 

As we wrote about last week, first-person point-of-view content is some of the most compelling content for three reasons: subject, location, and experience.

  • Subject: The old saying, “You can’t really understand another person’s experience until you’ve walked a mile in their shoes,” is now possible. Whether it’s your best friend, a celebrity, athlete or someone with an amazing job, we can now easily see what it’s like to be them. Marketers should rethink their spokesperson strategy immediately and get POV video options into their contracts.
  • Location: Advertising often uses jaw-dropping locations to inspire, and now anyone can be transported there as if we are actually there. Marketers who are just now getting used to 360º perspective need to be thinking POV now, too.
  • Experience: POV experience is the golden ticket here. The opportunity to share a POV perspective when skydiving, firefighting, skateboarding, or baking a pizza is now just $130 away. Marketers should rethink storyboards to bring viewers the experience of not just being there, but being that person.

Looking Ahead

Although Spectacles are intended for Snapchat-only, marketers should pay close attention to Snap’s overall impact on video production and consumption trends. There are leading indicators here worth noting. Snapchat popularized the vertical video format, which caught many by surprise. Yet just this September brands began prioritizing vertical content for Facebook.

Vertical video has always been preferable on mobile phones, but never before did a social network — including YouTube — prioritize vertical video. But Snapchat made is the gold standard. Now Snap is introducing first-person point-of-view through vertical social video — with no head-mounts or Go-Pros required.

If this popularizes as fast as vertical video, we could expect to see spectacle-eye-view video permeating not just Snapchat, but starting to come into other social channels and marketing channels in the coming year.

Will we all be wearing Snap-branded glasses in the future? Probably not. However, we’re excited about the continued innovation in wearable technology and how it impacts social engagement.

 

But considering that Snapchat is responsible for popularizing the vertical video format experts said that Spectacles were likely to catch on. Vertical video has always been preferable on mobile phones, but never before did a social network prioritize it, said Greg Swan, vp of brand innovation at space150. It was Snapchat that made it the gold standard.

“If this popularizes as fast as vertical video, we could expect to see my-eye-view video permeating not just Snapchat, but starting to come into other social channels and even TV production in the coming year,” he said.

Plus, it also has a cool and hip vibe, and is at a much lower price point than Google Glass in the past.

“While Glass was call-and-response, like ‘open maps’ or ‘take a photo,’ Spectacles are social — they are additive to the user’s social presence and not dependent on it,” said Swan.

Source: Marketers like what they see in Snapchat Spectacles – Digiday

(cross-posted from the space150 blog)

This week Snap launched the much-hyped Spectacles with a single, subtle vending machine in Venice, CA.

We immediately ran over and grabbed a couple pair. And Adweek wrote not one, but two articles about it…

We got 🕶 today! Follow us on Snap to see what we'll do with them.

A post shared by space150 (@space150) on

 

As we said in Adweek, these glasses are poised to reset expectations and expand the boundaries of how we share social video today. More simply put, everyday consumers can now see what it’s like to look through their best friend’s eyes — and maybe DJ Khaled or Kim Kardashian’s soon.

GLASS VS SPECTACLES

Snap learned three key lessons in the three years since the launch of Google Glass: 1) Focus on fashion. 2) Factor in privacy. 3) And leverage scarcity.

Google Glass prioritized utility over looks. Spectacles’ color palette pulls from the hottest colors of 2016.

People wearing Glass were dubbed “glassholes,” in part because the general public never knew when they were recording. Spectacles has an unmistakable recording light.

Glass cost $1500 and launched through one-on-one tech demos in frosted glass offices targeting technology nerds, like myself. Spectacles launched through a whisper campaign launch of a vending machine in Venice Beach and cost $130.

Spectacles have really one use, and Google’s Glass Explorer program was designed to expand the boundaries of the technology. They are simply different, in a very simple way.

ned-lampert-snapchat-space150

WHAT’S NEXT

Although Spectacles are intended for Snapchat-only, marketers should pay close attention to Snap’s overall impact on video production and consumption trends. There are leading indicators here worth noting.

Snapchat popularized the vertical video format, which caught many by surprise. Yet just this September brands began prioritizing vertical content for Facebook.

Vertical video has always been preferable on mobile phones, but never before did a social network — including YouTube — prioritize vertical video. But Snapchat made is the gold standard.

Now Snap is introducing first-person point-of-view through vertical social video — with no head-mounts or Go-Pros required.

If this popularizes as fast as vertical video, we could expect to see __{blank]____-eye-view video permeating not just Snapchat, but starting to come into other social channels and even TV production in the coming year.

SOCIAL POV CONTENT BREAKDOWN

First-person point-of-view content is some of the most compelling content for three reason: subject, location, and experience.

SUBJECT:
The old saying, “You can’t really understand another person’s experience until you’ve walked a mile in their shoes,” is now possible. Whether it’s your best friend, a celebrity, athlete or someone with an amazing job, we can now easily see what it’s like to be them. Marketers should rethink their spokesperson strategy immediately and get POV video options into their contracts.

LOCATION:
Advertising often uses jaw-dropping locations to inspire, and now anyone can be transported there as if we are actually there. Marketers who are just now getting used to 360º perspective need to be thinking POV now, too.

EXPERIENCE:
POV experience is the golden ticket here. The opportunity to share a POV perspective when skydiving, firefighting, skateboarding, or baking a pizza is now just $130 away. Marketers should rethink story boards to bring viewers the experience of not just being there, but being that person.